Novo: IRASM 42/1(2011)-46/2(2015)

ORIGINAL SCIENTIFIC PAPERS – IZVORNI ZNANSTVENI ČLANCI

ADILEH, Mu’tasem: Arabic Music between the Hammer of Technological Creativity and the Anvil of Cultural Identity (A Critical Study) (Sažetak: Arapska glazba između čekića tehnološke kreativnosti i nkovnja kulturnog identiteta. Kritička studija), 42/1 (2011) 145-163.

ALBINSSON, Staffan: Early Music Copyrights: Did They Matter for Beethoven and Schumann? (Sažetak: Što su značila rana glazbena autorska prava za Beethovena i Schumanna?), 43/2 (2012) 265-302.

ARBO, Alessandro: Jugement esthétique et ontologie musicale (Summary Aesthetic Judgement and the Musical Ontology, Sažetak: Estetički sud i glazbena ontologija), 45/1 (2014) 3-19.

ARBO, Alessandro: Typologie et fonctions de l’“entendre comme“ (Summary: Typology and Functions of „Hearing-as“, Sažetak: Tipologija i funkcije „čuti kao“), 43/1 (2012) 95-106.

ARICAN, Tunca: Dance Culture in Turkey: A Case Study in Ankara and Istanbul (Sažetak: Plesna kultura u Turskoj: Primjer Ankare i Istanbula), 43/1 (2012) 209-225.

AZADEHFAR, Mohammad Reza: Domination of Social and Cultural Inhabitancies over Music Training School: the Case of Western Music Performers Living in Iran (Sažetak: prevlast društvenih i kulturnih boravaka nad glazbeno-obrazovnim školama: slučaj zapadnih glazbenih izvođača koji žive u Iranu), 45/2 (2014) 261-273.

BARKER, Thomas: The Social and Aesthetic Situation of Olivier Messiaen’s Religious Music: Turangalîla Symphonie (Sažetak: Društvena i estetička situacija sakralne glazbe Oliviera Messiaena: simfonija Turangalîla), 43/1 (2012) 53-70.

BARROW, Lee G.: Guilt by Association: The Effect of Attitudes toward Fascism on the Critical Assessment of the Music of Ottorino Respighi (Sažetak: Kriv zbog veze: posljedica stavova prema fašizmu na kritičku prosudbu glazbe Ottorina Respighija), 42/1 (2011) 79-95.

BARRY, Barbara: Is Anybody There? Texting in Schubert’s Musical Stratosphere (Sažetak: ima li tamo koga? Tekstiranje u Schubertovoj glazbenoj stratosferi), 46/2 (2015) 273-289.

BAR-YOSHAFAT, Yonatan: Kenner und Liebhaber – Yet Another Look (Sažetak: Znalci i ljubitelji – Drugi pogled), 44/1 (2013) 19-47.

BENNETT, Fionn: Can an „Anthropological Ontology“ Supply Music with an Acceptable Semiology?: A Philosophical Appraisal of Musicology According to Jean Molino & Jean-Jacques Nattiez (Sažetak: Može li „antropološka ontologija“ pružiti glazbi prihvatljivu semiologiju?: Filozofska procjena muzikogije prema Jeanu Molinou i Jean-Jacquesu Nattiezu), 44/1 (2013) 119-136.

BLACKSTONE, Lee: Remixing the Music of the Spheres: Listening to the Relevance of an Ancient Doctrine for the Sociology of Music (Sažetak: Novo preslagivanje glazbe sfera: osluškivanje važnosti stare doktrine za sociologiju glazbe), 42/1 (2011) 3-31.

CABALLERO, Carlo: Dancing out of Formalism: On Peter Kivy’s Theory and Its Limits (Sažetak: Poigravanje s formalizmom: o teoriji Petera Kivyja i njezinim ograničenjima), 44/2 (2013) 277-301.

CHAPLIN, Keith: „A Harmony or Concord of Several and Diverse Voices“: Autonomy in 17th-Century German Music Theory and Practice (Sažetak: „Harmonija ili složnost više različitih glasova“: Autonimija u njemačkoj glazbenoj teoriji i praksi 17. stoljeća), 42/2 (2011) 219-255.

CREMADES, Roberto – LORENZO, Oswaldo – TURCU, Ioana Ruxandra: Raï Music as a Generator of Cultural Identity among Young Maghrebies (Sažetak: Raï glazba kao proizvođač kulturnog identiteta mladih stanovnika Magreba), 46/1 (2015) 175-184.

CURESES, Marta: Geometric Perspective, Structure and Proportion in Carlos Cruz de Castro’s Compositions (Sažetak: Geometrijska perspektiva, struktura i proporcija u skladbama Carlosa Cruza de Castra), 44/1 (2013) 169-188.

DEĞIRMENCI, Koray: ‘Local Music from out There’: Roman (Gypsy) Music as World Music in Turkey (Sažetak: ‘Domaća glazba odnekuda’: romska (ciganska) glazba kao glazba svijeta u Turskoj), 42/1 (2011) 97-124.

DENISOV, Andrey V.: The Parody Principle in Music Art (Sažetak: Načelo parodije u umjetnosti glazbe), 46/1 (2015) 55-72.

DOJA, Albert: Socializing Enchantment: A Socio-Anthropological Approach to Infant-Directed Singing, Musical Education and Cultural Socialization (Sažetak: čarolija socijalizacije: socio-antropološki pristup na djecu usmjerenog pjevanja, glazbenog odgoja i kulturne socijalizacije), 45/1 (2014) 115-147.

DOLINSZKY, Miklós: La certitude du possible. L’éthique du non engagement dans l’art de Barnabás Dukay (Summary: The Certainty of the Possible. The Ethics of Uncommittedness in the Art of Barnabás Dukay, Sažetak:Izvjesnost mogućega. Etika neangažiranosti u umjetnosti Barnabása Dukaya), 46/1 (2015) 117-133.

DREWETT, Michael: The Road From Crisis to Catharsis in the Songs of Roger Lucey (Sažetak: Put od krize do katarze u pjesmama Rogera Luceya), 42/2 (2011) 379-396.

EINARSDÓTTIR, Sigrún Lilja: Constructing ‘My Bach’. Relevance of Historical Constructions of Bach for Members ina n English Amateur ‘Art Music’ / Composer-oriented Bach Choir (Sažetak: Konstruirajući ‘mojeg Bacha’. Relevantnost povijesnih konstrukcija Bacha za članove jednog engleskog amaterskog ‘glazbeno-umjetničkog’ Bachova zbora orijentiranog na skladatelja), 46/1 (2015) 95-116.

ERGUR, Ali – DOĞRUSÖZ, Nilgün: Resistance and Adoption towards Written Music at the Crossroads of Modernity: Gradual Passage to Notation in Turkish Makam Music (Sažetak: Otpor i prihvaćanje pisane glazbe na raskrižjima moderniteta: postupni prijelaz na notaciju u turskoj maqam glazbi), 46/1 (2015) 145-174.

GILL, Russell B.: Romance as Performance: The Case of The Magic Flute (Sažetak: Romanca kao izvedba: slučaj Čarobne frule), 42/2 (2011) 257-266.

GLIGO, Nikša: Musical Emblems in Croatian Cell Phones: A Repertoire for Identity Formation? (Sažetak: Glazbeni amblemi na hrvatskim mobitelima: repertoar stvaranja identiteta?), 46/1 (2015) 135-144.

GOMES RIBERO, Paula: Interface opéra technologie. Réflexio sur les politiques de la différence dans les dramaturgies de la convergence (Summary: Interface opera Technology. On the Politics of Difference in the Dramaturgies of Convergence, Sažetak: Međusklop operne tehnologije. O politici razlike u dramaturgijama konvergencije), 44/1 (2013) 137-148.

GOTHAM, Mark: Coherence in Concert Programming: A View from the U.K. (Sažetak: Koherentnost u programiranju koncerata: pogled iz Ujedinjenog Kraljevstva), 45/2 (2014) 293-309.

GOVENDER, Praneschen – RUGGUNAN, Shaun: An Exploratory Study into African Drumming as an Intervention in Diversity Training (Sažetak: Istraživačka studija o afričkom bubnjanju kao intervenciji u izobrazbu raznolikosti), 44/1 (2013) 149-168.

GREEN, Edward: Steiner, Korngold and the Musical Expression of Physical Space – A Preliminary Note (Sažetak: Max Steiner, Wolfgang Erich Korngold i glazbeno izražavanje fizičkog prostora. Uvodna napomena), 42/1 (2011) 59-78.

GREEN, Edward: Tonal Symmetry in Leonore: An Instance of an Enduring Principale in Beethoven’s Compositional Method (Sažetak: Tonalna simetrija u Leonori: primjer jednog trajnog načela u Beethovenovoj skladateljskoj metodi), 46/2 (2015) 291-320.

GUR, Golan: The Spectre of the End: Musical Avant-Gardism and the Philosophical Turn (Sažetak: Spektar kraja: glazbeni avangardizam i filozofijski obrat), 42/2 (2011) 267-284.

HANŽEK, Branko – ROGINA, Mladen: Development of Croatian Acoustics till 1954. On the legacy of Vinko Dvořák (Sažetak: Razvitak hrvatske akustike do 1954. O ostavštini Vinka Dvořáka), 42/2 (2011) 331-354.

HEINSTER, Hanns-Werner: Zwischen Physik, Psysiologie und Philosophie. Die fünf grundlegenden Fragestellungen der Musikwissenschaft (Summary: Between Physics, Physiology and Philosophy. The Five Fundamental ‚Questions‘ of Musicology, Sažetak: Između fizike, fiziologije i filozofije. Pet fundamentalnih ‘pitanja’ muzikologije), 45/2 (2014) 213-242.

HEISTER, Hanns-Werner – SINGER, Deborah: Mimetische Zeremonien und andere gewaltarme Herschaftsmethoden. Zur Rolle der Musik in den Guaraní-Reduktionen der Jesuiten in Paraguay im 17. und 18. Jahrhundert (Summary: Mimetic Ceremonies and Other Non-violent Methods of Ruling. On the Role of Music in the Guarani-Reducciones of Jesuits in 17th- and 18th-century Paraguay, Sažetak: Mimetičke ceremonije i druge nenasilne metode vladanja. O ulozi glazbe u isusovačkim misijama (reducciones) Guaraní naroda u Paragvaju u 17. i 18. stoljeću), 44/2 (2013) 213-238.

HEISTER, Hanns-Werner: Musikprozess und Fuzzy Logic (Summary: Music and Fuzzy Logic, Sažetak: Glazba i ‘fuzzy’ logika), 43/2 (2012) 377-401.

HOOPER, Giles: A Popular Postmodern or a Postmodern Popular? (Sažetak: Popularno postmoderno ili postmoderno popularno?), 43/1 (2012) 187-207.

JAYAKRISHNAN, Narayanan – VELAYUTHAM, Chandrasekaran: A Study on the Framing of ‘Margazhi’/December Music Festival in the English and Regional Language Newspapers in Tamil Nadu (Sažetak: Istraživanje o izvještavanju s prosinačkog (‘Margazhi’) glazbenog festivala u Chennaiju u novinama na engleskom i regionalnom jeziku u Tamil Nadu), 45/1 (2014) 77-98.

JOHANSSON, Mats: The Gendered Fiddle: On the Relationship between Expressive Coding and Artistic Identity in Norwegian Folk Music (Sažetak: Rodni fiddle: o odnosu između ekspresivnog kodiranja i umjetničkog identiteta u norveškoj folklornoj glazbi), 44/2 (2013) 361-384.

JURIĆ, Monika: Paideia and the Neo-Platonic Ideas on Music Education and Culture in Renaissance Dubrovnik in the Works by Niccolò Vito di Gozze (Nikola Vitov Gučetić, 1549-1610) (Sažetak: Paideia i neoplatoničke ideje o glazbenom odgoju i kulturi u renesansnom Dubrovniku u djelima Nikole Vitova Gučetića (1549.-1610.)), 44/1 (2013) 3-17.

KAJANOVÁ, Yvetta: The Rock, Pop and Jazz in Contemporary Musicological Studies (Sažetak: Rock, pop i jazz glazba u suvremenim muzikološkim istraživanjima), 44/2 (2013) 343-359.

KAMINSKI, Joseph S.: Sound Barrage: Threshold to Asante Sacred Experience through Music (Sažetak: Zvučni zid: prag iskustva svetosti u Asantea putem glazbe), 45/2 (2014) 345-371.

KASTEN, Anna: Erzählte Geschichten und geschichtete Erzälungen – Georg Büchners Fragment Woyzeck und seine musikalischen Adaptionen (Summary: Narrated Stories and Stratified Narrations – Georg Büchner’s Fragment Woyzeck and its Musical Adaptations, Sažetak: Ispričane pripovijetke i raslojene priče – Fragment Woyzeck Georga Büchnera i njegove glazbene adaptacije), 43/2 (2012) 303-324.

KAYHAN, Aslı: Musical Changes of Rural to Urban in Popular Culture. A Case Study: Türkü Bar sin Istanbul (Sažetak: Glazbene promjene ruralnog u urbano u popularnoj kulturi. Studija slučaja: türkü barovi u Istambulu), 45/1 (2014) 149-166.

KENNAWAY, George: Bookcases, Fish Pie and My Piñata: Musical Scores Considered as Sets of Instructions (Sažetak: Police za knjige, riblja pita i moja piñata: notna izdanja kao upute za nastavu), 42/2 (2011) 355-377.

KIM, Jin-Ah: Cultural Transfer as a Branch of Research for Music Sociology and Music Anthropology (Sažetak: Kulturni transfer kao istraživačko područje sociologije glazbe i glazbene antropologije), 46/1 (2015) 43-53.

KOS, Koraljka: Dora Pejačević und Rainer Maria Rilke (Summary: Dora Pejačević and Rainer Maria Rilke, Sažetak: Dora Pejačević i Rainer Maria Rilke), 43/1 (2012) 3-22.

KOTNIK, Vlado: The Adaptability of Opera: When Different Social Agents Come to Common Ground (Sažetak: Prilagodljivost opere: kada različiti društveni čimbenici dođu do zajedničkog interesa), 44/2 (2013) 303-342.

KROIER, Johann: Music, Global History, and Postcoloniality (Sažetak: Glazba, globalna povijest i postkolonijalizam), 43/1 (2012) 139-186.

KŘUPKOVÁ, Lenka: The City of Olomouc and Theatre Directors. Model Example of the Operation of the Austro-Hungarian City Theatre (Sažetak: Grad Olomouc i kazališni ravnatelji. Jedan primjer funkcioniranja austro-ugarskog gradskog kazališta), 45/2 (2014) 275-291.

KUTSCHKE, Beate: Protest Music, Urban Contexts and Global Perspectives (Sažetak: Protestna glazba, urbani konteksti i globalne perspektive), 46/2 (2015) 231-354.

LANZILOTTA, Pierluca: Eine unvollendete Reise durch die Materie: zu Fausto Romitellis An Indeks of Metals (Summary: An Unfinished Journey through the Materials with Fausto Romitellis An Indeks of Metals, Sažetak: Nepotpuno putovanje kroz građu: An Indeks of Metals Fausta Romitellija), 45/1 (2014) 99-114.

LORENZO, Oswaldo – HERRERA, Lucia – CREMADES, Roberto: Mass Media Influence on the Musical Preferences of Spanish Adolescents: A Sociological Analysis (Sažetak: Utjecaj masovnih medija na glazbene preferencije španjolskih adolescenata: sociološka analiza), 42/1 (2011) 125-144.

McAULAY, Karen E.: The Accomplished Ladies of Torloisk (Sažetak: Dobro obrazovane i odgojene dame iz Torloiska), 44/1 (2013) 57-78.

McKERRELL, Simon: Sound Performing: Sound Aesthetics among Competitive Pipers (Sažetak: Zvukovna izvedba – zvukovna estetika među gajdašima natjecateljima), 42/1 (2011) 165-187.

MIYAMOTO, Naomi: Concerts and the Public Sphere in Civil Society Through Rethinking Habermas’s Concept of Representative Publicness (Sažetak: Koncerti i javna sfera u civilnom društvu na temelju ponovnog promišljanja Habermasova pojma reprezentativne javnosti), 44/1 (2013) 101-118.

MORRIS, Edwin Kent: „Destroying America“: Phish, Music, and Spaces of Aesthetic and Social Exception (Sažetak: „Razarajući Ameriku“: Phish, glazba i prostori za estetičke i društvene iznimke), 45/1 (2014) 167-181.

MÜLLER, Sven Oliver: Political Pleasures with Old Emotions? Performances of the Berlin Philharmonic in the Second World War ( Sažetak: Politički užitci sa starim emocijama? Izvedbe Berlinske filharmonije u doba Drugog svjetskog rata), 43/1 (2012) 35-52.

NEVES, Maria João: The Dehumanization of Art. Ortega y Gasset’s Vision of New Music (Sažetak: Dehumanizacija umjetnosti. Vizija nove glazbe Ortege y Gasseta), 43/2 (2012) 365-376.

NOWACK, Natalia: Vereinzelte Entwürfe oder Zeitgeist? Eine alternative Sicht auf den Beginn musiksoziologischer Forschung (Summary: Isolated Concepts or Zeitgeist? An Alternative View on the Beginning of Sociology of Music, Sažetak: Izolirane ideje ili duh vremena. Alternativni pogled na početke sociologije glazbe), 46/2 (2015) 245-271.

OH, Hee Sook: ‘Das abgelehnte Genie’ – Betrachtungen zur Kritik an der musikalischen Genieästhetik im 20. Jahrhundert (Summary: „The Denied Genius“: A Study on the 20th-century Criticism of the Aesthetics of the Musical Genius, Sažetak: „Poricani genij – Razmatranja uz kritiku estetike glazbenog genija u 20. stoljeću), 44/1 (2013) 79-99.

ORDÓÑES FLORES, Eva: La plasticité identitaire des genres dans la danse flamenca (Summary: Identifying Plasticity of the Genres in the Flamenco Danse, Sažetak: Identificiranje pomičnosti žanrova u plesu flamenco), 42/2 (2011) 317-330.

PINHEIRO, Ricardo F.: The Jam Session and Jazz Studies (Sažetak: Jam sesija i studije o jazzu), 45/2 (2014) 335-344.

PIOTROWSKA, Anna G.: Expressing the Inexpressible: The Issue of Improvisation and the European Fascination with Gypsy Music in the 19th Century (Sažetak: Izražavanje neizrecivog: improvizacija i europska fasciniranost ciganskom glazbom u 19. stoljeću), 43/2 (2012) 325-341.

PLATT, Heather: Probing the Meaning of Brahms’s Allusions To Haydn (Sažetak: Istraživanje značenja Brahmsovih aluzija na Haydna), 42/1 (2011) 33-58.

POLKA, Brayton: Liebestod. On Love and Death in Wagner’s Tristan und Isolde (Sažetak: Liebestod: O ljubavi i smrti u Wagnerovu Tristanu i Izoldi), 44/2 (2013) 239-252.

PONTARA, Tobias: Interpretation, Imputation, Plausibility: Towards a Theoretical Model for Musical Hermeneutics (Sažetak: Interpretacija, pripisivanje, plauzibilnost: prema teorijskom modelu glazbene hermeneutike), 46/1 (2015) 3-41.

PORTA, Amparo – PEÑALVER VILAR, José María – MORANT NAVASQUILLO, Remigi: Music of the Inaugural Ceremony of London 2012: A Performance among Bells (Sažetak: Glazba inauguralne ceremonije u Londonu 2012: izvedba među zvonima), 44/2 (2013) 253-276.

RAZUMOVSKAYA, Maria: Heinrich Neuhaus: A Performer’s Views on the Realisation of Music (Sažetak: Heinrich Neuhaus: pogledi izvođača na ostvarenje glazbe), 46/2 (2015) 355-369.

SANGA, Imani: Marimba and the Musical Figuring of Desire and Postcolonial National Identity in Edwin Semzaba’s Novel Marmba ya Majaliwa (Sažetak: Marimba i glazbeno shvaćanje žudnje i postkolonijalnog nacionalnog identiteta u romanu Marimba ya Majaliwa Edwina Semzabe), 46/2 (2015) 401-421.

SANGA, Imani: Musical Figuring of Postcolonial Urban Segmentarity and Marginality in Selected Bongo Fleva Songs in Dar es Salaam, Tanzania (Sažetak: Glazbeni izgled postkolonijalne urbane segmentiranosti i marginaliziranosti u odabranim Bongo Fleva pjesmama u Dar es Salaamu, Tanzanija), 44/2 (2013) 385-405.

SANGA, Imani: Mzungu Kichaa and the Figuring of Identity in Bongo Fleva Music in Tanzania, (Sažetak: Mzungu Kichaa i oblikovanje identiteta u glazbi Bongo Fleva u Tanzaniji), 42/1 (2011) 189-208.

SCHUTTE, Charla – VISAGIE, Johann: „Lieder sind Brüder der Revolution“: An Ideology-critical Approach to the Use of Song as a Vehicle for Propaganda (Sažetak: „Pjesme su braća revolucije“: Ideologijsko-kritički pristup uporabi pjesme kao promidžbenog sredstva), 43/1 (2012) 107-138.

SCHUTTE, Charla: Figurative Semiotics: A Textual Analysis of FAK Songs (Sažetak: Figurativna semiotika: tekstualna analiza pjesama FAK-a (Federasie van Afrikaner Kultuurvereniginge), 46/2 (2015) 371-400.

SIOPSI, Anastasia: The Notion of ‘Community’: A Comparative Study of the Political Issues in the Theories of the Early Romantics and of Richard Wagner (Sažetak: Pojam ‘zajednice’: poredbena studija političkih tema u teorijama ranih romantičara i Richarda Wagnera), 42/2 (2011) 285-315.

VAILLANCOURT, Michael: Brahms and the Historical Sublime (Sažetak: Brahms i povijesno sublimno), 46/1 (2015) 73-94.

VALIQUET, Patrick: The Spatialisation of Stereophony: Taking Positions in Post-War Electroacoustic Music (Sažetak: Spacijalizacija stereofonije: zauzimanje pozicija u poslijeratnoj elektroakustičnoj glazbi), 43/2 (2012) 403-421.

VAN EECKE, Livine: Adorno’s Listening to Stravinsky – Towards a Deconstruction of Objectivism (Sažetak: Adornovo slušanje Straviskog – Prema dekonstrukciji objektivizma), 45/2 (2014) 243-260.

VILJOEN, Martina: Is Interdisciplinarity Enough? Critical Remarks on Some ‘New Musicological’ Strategies from the Perspective of the Thought of Christopher Norris (Sažetak: je li interdisciplinarnost dovoljna? Kritičke primjedbe o nekim strategijama Nove muzikologije iz perspektive misli Christophera Norrisa), 43/1 (2012) 71-94.

VOLGSTEN, Ulrik: Work, Form and Phonogram. On the Significance of the Concept of Communication for the Modern Western Concept of Music (Sažetak: Djelo, forma i fonogram. O značenju pojma komunikacije za moderni zapadni koncept glazbe), 46/2 (2015) 207-232.

WAREN, Warren: Theories of the Singing Revolution: An Historical Analysis of the Role of Music in the Estonian Independence Movement (Sažetak: Teorije pjevajuće revolucije: povijesna analiza uloge glazbe u estonskom pokretu za neovisnost), 43/2 (2012) 439-451.

WIERZBICKI, James: Inventive Listening: The Aesthetics of Parataxis (Sažetak: Inventivno slušanje: estetika paratakse), 45/1 (2014) 21-46.

WILLGOSS, Richard: Creativity in Contemporary Art Music Composition (Sažetak: Kreativnost u komponiranju suvremene umjetničke glazbe), 43/2 (2012) 423-437.

WILSON, Samuel: After Beethoven, After Hegel: Legacies of Selfhood in Schnittke’s String Quartet No. 4 (Sažetak: Nakon Beethovena, nakon Hegela: Baština vlastitosti u Gudačkom kvartetu br. 4 Alfreda Schnittkea), 45/2 (2014) 311-334.

YAN, Hektor K. T.: The Jewish Question Revisited: Anti-Semitism and ‘Race’ in Wagner’s Parsifal (Sažetak: Ponovno o židovskom pitanju: antisemitizam i ‘rasa’ u Wagnerovom Parsifalu), 43/2 (2012) 343-363.

YEOLAND, Rosemary: Nadia Boulander et Camille Mauclair (Summary: Nadia Boulanger and Camille Mauclair, Sažetak: Nadia Boulanger i Camille Mauclair), 45/1 (2014) 63-76.

YOUNG, James O.: On the Enshrinement of Musical Genius (Sažetak: O posvećenju glazbenoga genija), 45/1 (2014) 47-62.

YOUNG, james O.: Was There a ‘Great Divide’ in Music? (Sažetak: Je li postojala „velika razdjelnica“ u glazbi), 46/2 (2015) 233-244.

ZAGORSKI, Marcus: Hearing Beethoven, Truth, and „New Music“ (Sažetak: Slušanje Beethovena, istina i „Nova glazba“), 44/1 (2013) 49-56.

ZVARA, Vladimír: Leoš Janáček and the „Slavic Catharsis“ (Sažetak: Leoš Janáček i „slavenska katarza“), 43/1 (2012) 23-34.

REVIEW PAPERS – PREGLEDNI ČLANCI

GREEN, Edward: Did Ellington Truly Believe in an „Afro-Eurasian Eclipse?“ (Sažetak: Je li Duke Ellington stvarno vjerovao u „afro-azijsku pomrčinu“?), 43/1 (2012) 227-236.

CONFERENCE PAPERS – REFERATI

DISCUSSIONS – RASPRAVE

REVIEWS AND INFORMATION ON BOOKS – RECENZIJE I OBAVIJESTI O KNJIGAMA

BADURINA, Natka

Ivano Cavallini (ed.): Nation and/or Homeland. Identity in 19th Century Music and Literature between Central and Mediterranean Europe, Milano-Udine: Mimesis, 2012, 45/1 (2014) 183-187.

CAVALLINI, Ivano

MAJER-BOBETKO, Sanja – DOLINER, Gorana – BLAŽEKOVIĆ, Zdravko: Hrvatska glazbena historiografija u 19. stoljeću (Croatian 19th-Century Music Historiography), Zagreb: Croatian Musicological Society, 2009, 43/1 (2012) 245-248.

CERIBAŠIĆ, Naila

VIGNAU, Charlotte: Modernity, Complex Societies, and the Alphorn, Lexington Books, 2013 45/1 (2014) 197-200.

ĆURKOVIĆ, Ivan

TOMLINSON, Gary: Music and Historical Critique. Selected Essays, Aldershot: Ashgate, 2007, 43/1 (2012) 237-241.

ĆURKOVIĆ, Ivan

SHENTON, Andrew: Olivier Messiaen’s System of Signs. Notes Towards Understanding His Music, Aldershot: Ashgate, 2008, 43/1 (2012) 242-244.

ĆURKOVIĆ, Ivan

LEOPOLD, Silke: Händel. Die Opern, Kassel: Bärenreiter, 2009, 43/2 (2012) 457-461.

ĆURKOVIĆ, Ivan

STROHM, Reinhard: The Operas of Antonio Vivaldi, Firenze: Leo S.Olschki, 2008, 43/2 (2012) 461-465.

ĐEKIĆ, Danijel

BIDDLE, Ian: Music, Masculinity and the Claims of History. The Austro-German Tradition from Hegel to Freud, Farnham-Burlington: Ashgate, 2011, 43/2 (2012) 455-457.

GANCARCZYK, Paweł

JEŻ, Tomasz: Kultura muzyczna jezuitów na Śląsku i ziemi kłodzkiej (1581-1776) [The Musical Culture of the Jesuits in Silesia and in the County of Kłodzko (1581-1776)], Warsaw: Wydawnictwo Naukowe Sup Lupa, 2013, 46/1 (2015) 185-187.

GLIGO, Nikša

CHASE, Stephen – THOMAS, Philip (eds.): Changing the System: The Music of Christian Wolff, Burlington (VT)-Farnham (GB): Ashgate, 2010, 43/1 (2012) 249-255.

GLIGO, Nikša

DOWNES, Stephen: Hans Werner Henze: Tristan (1973) (Landmarks in Music Since 1950 series), Burlington: Ashgate, 2011, 43/2 (2012) 453-455.

GLIGO, Nikša

COLLINS, Dave (ed.): The Act of Musical Composition. Studies in Creative Process (= SEMPRE Studies in the Psychology of Music), Burlington, VT: Ashgate, 2012, 44/1 (2013) 189-198.

GLIGO, Nikša

SHAW-MILLER, Simon: Eye hEar. The Visual in Music, Burlington, VT: Ashgate, 2013, 45/1 (2014) 191-195.

KATALINIĆ, Vjera

TOMIĆ FERIĆ, Ivana: Julije Bajamonti (1744-1800): Glazbeni rječnik. Transkripcija, prijevod, komentari [Julije Bajamonti (1744-1800): Dictionary of Music. Transcription, Translation, Comments], Zagreb: Croatian Musicological Society, 2013, 45/1 (2014) 200-202.

KIŠ ŽUVELA, Sanja

NOBLE, Alistar: Composing Ambiguity: The Early Music of Morton Feldman, Farnham-Burlington: Ashgate, 2013, 45/1 (2014) 195-197.

PALAZZETTI, Nicolò

ARBO, Alessandro: Entendre comme – Wittgenstein et l’esthétique musicale. Collection „GREAM“, Paris: Éditions Hermann, 2013, 45/1 (2014) 187-191.

PALAZZETTI, Nicolò

ARBO, Alessandro – RUTA, Marcello (eds.): Ontologie musicale – Perspectives et débats (Collection du GREAM/Esthétique), Paris: Hermann Editeurs, 2014, 46/1 (2015) 190-193.

VILJOEN, Martina

BALLANTINE, Christopher: Marabi Nights: Jazz, ‘Race’ and Society in Early Apartheid South Africa, Scottsville: University of Kwazulu-Natal Press, 2012, 44/1 (2013) 189-192.

VUKOBRATOVIĆ, Jelka

MIŠINA, Dalibor: Shake, Rattle and Roll. Yugoslav Rock Music and the Poetics of Social Critique, Surrey: Ashgate, 2013, 46/1 (2015) 188-190.

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Sastavila Zrinka Vitković (1969.-2010.); Lucija Konfic lucijam@hazu.hr (od 2011.-2015.)
Zagreb, 2016.