Glazbeni barok i zapadni Slaveni u kontekstu europskog kulturnog zajedništva.
Radovi sa znanstvenog skupa održanog u Zagrebu 12-14.10.1989.
Musical Baroque and Western Slavs in the Context of European Cultural Community.
Proceedings of the International Musicological Symposium held in Zagreb, Croatia, on October 12-14, 1989
Urednik / Editor: Stanislav Tuksar
Muzikološki zbornici / Musicological proceedings, br./no. 1
Hrvatsko muzikološko društvo, Zavod za povijest hrvatske glazbe HAZU / Croatian Musicological Society, Institute for History of Croatian Music of the Croatian Academy of Sciences and Arts,1993.
313 str.
The international musicological symposium The Musical Baroque, Western Slavs and the European Cultural Communion, held in Zagreb in 1989, and, consequently, these proceedings, had one point of departure as their central and main thesis: within the Slavic world and (politically former) eastern Europe there exists an essential differentiation (till approximately the mid-19th century) of two spheres in the field of musical culture; firstly, the sphere of Catholic-Protestant Slavs from the Central Europe (Poles, Czechs/Moravians, Slovaks, Slovenians, Croats), and, secondly, the sphere of Orthodox Slavs. All papers published in this volume are concerned with some aspects or the whole of the first musico-cultural sphere, for this purpose called the sphere of “Western Slavs”, with special emphasis on the Baroque period.
The purpose of establishing the above mentioned thesis, and the endeavours of its verification, was to point to some inadequate approaches, methods, and, consequently, cognitive deficiencies concerning the so-called Slavic world and so-called Eastern Europe, above all in western musicology; further, the aim was to provide evidence that the western part of the “Slavic world” has been – as far as art music, its appearances, substance and forms of its products, and organizational frames and reception is concerned – an integral part of West-European musical culture.
Contributors to this volume: Hans-Peter Reinecke, Stanislav Tuksar, Joachim Schlichte-Bierbaum, Koraljka Kos, Lovro Županović, Ivano Cavallini, Ennio Stipčević, Jiří Sehnal, Dominique Patiers, Katarina Bedina, Tomaž Faganel, Dragotin Cvetko.
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Međunarodni muzikološki skup Glazbeni barok i zapadni Slaveni u kontekstu europskog kulturnog zajedništva, održan u Zagrebu 1989, i ovaj zbornik njegovih materijala imali su kao polazište jednu središnju temu. Osnovna teza te teme glasi: unutar slavenskog svijeta i (politički bivše) istočne Europe na području glazbene kulture postoji bitna diferencijacija, za razdoblje do okvirno sredine 19. stoljeća, na dvije sfere: 1) sferu katoličko-protestantskih Slavena s područja srednje Europe (Poljaci, Česi/Moravci, Slovaci, Slovenci, Hrvati), 2) sferu pravoslavnih Slavena. Svi prilozi na tragu su afirmacije pojedinih aspekata ili cjeline u vezi s prvom glazbeno-kulturnom sferom, za ovu priliku uvjetno nazvanom sferom „zapadnih Slavena“, s posebnim naglaskom na razdoblje baroka.
Postavljanjem ove teze i pokušajima njezine verifikacije željelo se prije svega upozoriti na dosada prevladavajuće neadekvatne vizure, pristupe, metode, a onda i spoznajne manjkove, prije svega u zapadnoj muzikologiji, u odnosu na tzv. slavenski svijet i tzv. Istočnu Europu, odnosno pokazati da je zapadni dio slavenskog svijeta, bio na području umjetničke glazbe – njezine pojavnosti, supstancije i forme njezinih proizvoda, organizacijskih okvira i potrošnje – integralni dio zapadnoeuropske glazbene kulture.
Autori priloga u ovom zborniku su: Hans-Peter Reinecke, Stanislav Tuksar, Joachim Schlichte-Bierbaum, Koraljka Kos, Lovro Županović, Ivano Cavallini, Ennio Stipčević, Jiří Sehnal, Dominique Patiers, Katarina Bedina, Tomaž Faganel, Dragotin Cvetko.
1993.
ISBN 953-6090-00-7
150,00 kn + poštarina
