Luca Sorgo: Memoriae
Dnevnik Luke Sorkočevića (1781-1782)
Priredila, transliterirala, prevela i komentirala Katja Radoš-Perković
Izvori i dokumenti o glazbi / Sources and documents on music, br./no. 3
Odsjek za povijest hrvatske glazbe HAZU – HMD / Croatian Academy of Sciences and Arts, Department for History of Croatian Music, 2021.
550 str.
Mnogi su se istraživači povijesti Dubrovačke Republike osvrnuli na diplomatsku aktivnost plemića Luke Sorkočevića/Luce Sorga (1734-1789), danas poznatijeg kao skladatelja pretklasičkih simfonija, a posebno mjesto zauzima njegov Dnevnik koji je vodio za vrijeme boravka u Beču u drugoj polovici 1781. te na putu natrag prema rodnome gradu početkom 1782. godine. Također, poseban interes muzikologa pobudili su podaci o njegovoj percepciji glazbenih zbivanja u austrijskoj prijestolnici, a napose susreti s istaknutim skladateljima i glazbenicima. Međutim, sva dosadašnja parcijalna istraživanja temeljila su se na informativnom iščitavanju njegovih zapisa, u obliku ne baš urednog rukopisa s mnogo skraćenica i raznih nedosljednosti. Takvi nesustavni i krnji (uglavnom) amaterski prijevodi rezultirali su nizom netočnosti i nepreciznosti, a iznimno vrijedan i zanimljiv izvorni zapis ostao je u drugom planu.
U okviru projekta Hrvatske zaklade za znanost, nazvanog Umrežavanje glazbom: promjene paradigmi u „dugom 19. stoljeću“ – od Luke Sorkočevića do Franje Ksaver Kuhača bila nam je namjera ispraviti taj nedostatak i omogućiti da zainteresirani čitatelji dobiju potpuni uvid u doživljaje vezane uz Lukinu diplomatsku misiju i široki spektar zbivanja kojima je tijekom svog boravka u Beču i ostalim gradovima prisustvovao. Transliteracija, prijevod i komentari: Katja Radoš-Perković.
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Many a scholar of the history of the Dubrovnik Republic has taken an interest in the diplomatic activity of the nobleman Luca Sorgo/Luka Sorkočević (1734-1789), better known today as a composer of pre-classical symphonies. The focus of their interest was mainly the Journal written during his stay in Vienna in the second half of 1781 and throughout his journey back to his hometown at the beginning of 1782. Musicologists have particularly investigated his perception of musical life in the Austrian capital as well as his interactions with renowned composers and musicians. Nevertheless, all these particular studies have been based on a fragmentary deciphering of his notes in a manuscript filled with abbreviations and sometimes misinformation (which will be described in the introduction to this edition) and resulted in mostly amateur, imprecise and often incorrect pieces of translations, leaving the whole of the very valuable and interesting document disregarded.
Within the scientific project Networking through music: changes of paradigms in the ‘long 19th century’ – From Luka Sorkočević to Franjo Ks. Kuhač financed by the Croatian Science Foundation, it is our intention to change this perspective. The main goal is to offer to the interested audience a complete insight into Luka’s diplomatic mission and a wide specter of events to which he participated in Vienna and in the cities he visited along the way. Transcription, translation and comments by Katja Radoš-Perković.
Introspect the first part of the book
2021.
ISBN 978-953-6090-68-6 (HMD)
ISBN 978-953-347-422-9 (HAZU)
180,00 kn + poštarina
