Koncerti
Uz organizaciju skupova, MusMig projekt obuhvaćao je i organizaciju koncerata na kojima su se predstavljale skladbe glazbenika migranata.
Notna izdanja HMD-a objavljena uz financijsku potporu projekta MusMig:
- Julije Bajamonti: Arija Frena, mio bene za sopran i orkestar (1775) = Aria Frena, mio bene for Soprano and Orchestra (1775), 2013.
- Ivan Jarnović: 14. koncert za violinu i orkestar u A-duru = Fourteenth Concerto for Violin and Orchestra in A-major, 2013.
- Giuseppe Michele Stratico: Koncert za dvije violine i gudače u D-duru (1) = Concerto for Two Violins and Strings in D-major (1), 2013.
- Giuseppe Michele Stratico: Koncert za dvije violine i gudače u D-duru (2) = Concerto for Two Violins and Strings in D-major (2), 2013.
- Ivan Jarnović: 13. koncert za violinu i orkestar u A-duru = Thirteenth Concerto for Violin and Orchestra in A-major, 2015.
- Julije Bajamonti: Aria di Arbace nell’Artaserse (1776) za sopran i orkestar = Aria di Arbace nell’Artaserse (1776) for Soprano and Orchestra, 2016.
Gazophylacium Musicae Croaticae
In early modern times music migrations have considerably contributed to the dynamics and synergy of the European cultural scene at large, stimulating innovations, changes of styles and patterns of musical and social behaviour, and contributing to the cohesive forces in the common Euro-pean cultural identity. In order to offer insight into musico-cultural encounters in spatial (European East, West and South), and in temporal terms (17th-18th centuries, i.e. Baroque and Classicism) the first workshop of the HERA-MusMig project will discuss the different types of sources as well as the theoretical and technical framework within which it will be possible to form a network of migratory musicians and to reconstruct their routes and goals; secular and sacred centres with centripetal attractiveness; the cultural transfer of certain musical forms and styles; individual and social migratory motives. In addition to panels on methodological approaches and on music migration between Eastern and Western Europe special attention will be given to the potential of Digital Humanities as a tool to study biographies and networks of migratory musicians.
Impulses for the migration of musicians (composers, performers, teachers, instrument builders/makers, etc.) during the 17th and 18th centuries were often economic in nature, either positive – searching for a new/better place to work – or negative – poor conditions in staying in one place – and supply and demand often regulated their (voluntary) circulation. The market was actually reduced to a few fields: the Church, the town, the nobility, or the theatre, and they were often interwoven (for example, the Church or court musician found extra money as a private teacher, and also as performer in a theatre orchestra). The migrants were the soloist virtuosi, as well as their benefactors/Maecenas.
Migration of musicians and transmission of repertoire across Europe in the 17th and 18th centuries contributed to the emergence of a network of music and cultural connections, in which major European centres of music life were linked to less well researched and mostly smaller centres situated at some distance.